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更新时间：2023-10-04 00:55
详细剧情
简是一名二十一岁的妙龄少女，心中怀揣着成为演员的梦想，她来到了位于加州的圣费尔南多谷。可是，成为演员哪里是这么简单的事？没过多久，简便和大多数来此打拼的女孩一样，默默无名并且身无分文。在简的生活圈里来往的，大多数是不靠谱的朋友们，而其中最值得信赖的，竟然是她那只名叫斯嘉丽的吉娃娃狗。在老太太桑迪家举办的跳蚤市场上，简偶然发现了一个塞着一大捆钞票的老古董，这巨额的财产让囊中羞涩的简无法不在意，她打起了这笔巨款的主意，为此她开始特意的接近桑迪。没想到，简的这一举动彻底的改变了她的生活。
长篇影评
1 ) 谢谢你的成全
一个老妪和一个女青年的人生，在命运的奇妙安排下产生了交集，在艰难崎岖的沟通过程中，实现了各自的成全。
她（Sadie）是个独居的老妇，个性顽固，没有朋友，过着枯燥简单重复的生活。习惯性的三餐，购物，娱乐活动也只是每周六去玩简单的赌博游戏bingo。
她（Jane）是个生活拮据而又做着明星梦的女青年，有一个吸毒成瘾的妈妈。她和朋友，朋友的男友合住在一间公寓里，想要改造一下卧室却没钱买新家具，只能去淘一些旧货。在Sadie卖出的旧暖水瓶里，她发现了一万块，她不安又兴奋，瞒着朋友偷偷地把钱藏好，去做了指甲（吐槽一下美帝人工费真惊人，做个指甲460刀），给狗狗买了漂亮的配饰。她旁敲侧击的咨询她的朋友，如果遇到这种事要怎么做。朋友的看法是，确认这笔钱对失主是不是非常重要。她特意去接近Sadie，故意打发走等待Sadie的计程车，然后邀请Sadie“搭顺风车”，她跑到她周六玩bingo的地点玩只有老年人才热衷的无聊游戏。结果被Sadie当做是骗子，惨遭防狼喷雾的蹂躏。从警察那得知她只是“出于好心”后，Sadie逐渐打开了心门，接受了她接送超市的便车。通过交谈得知，Sadie的赌徒丈夫去世了，也没有儿女，暖水瓶里的钱应该是赌徒丈夫之前藏匿其中的，但老妇并不知情。通过一段时间的接触，两个人逐渐产生了信任与微妙的感情。Jane更加了解了Sadie的过去，她甚至带Sadie去公墓祭奠亡夫，去Sadie第一次和丈夫见面的动物园。而Sadie依然固执，敏感，从她注销了驾照和对其他老人驾车闯祸的描述，可以看出她对于余生并无希冀，早已认输服老。在一次Jane被超市保安因停车问题驱赶后，购物回来的Sadie没有等到Jane，以为Jane抛下了她，想要走回家里。当时她的心里，一定是充满了伤感，以为她的人生又一次的枯萎了，如同她布满皱纹的脸庞，刚刚建立的存在感被消除殆尽。Jane驱车追上了她，说道“你真的以为我会抛下你吗？”也许是她感受到了Sadie心里的变化，Jane握住了Sadie枯瘦的手，Sadie的心里，一定非常的温暖。
Jane的合租朋友因为工资问题和老板大吵，让Jane过去帮忙理论。通过这个机会，Jane的朋友认识了同车的Sadie，Jane和朋友的工作也在随后暴露大吉，原来Jane和合租朋友都是成人片的女主，这会儿有一段露骨的拍摄过程。虽然不露也能交代清楚，但直接的视觉刺激应该会让观众更加震撼，这份工作既解释了为什么Jane会有那么多空余时间，又形成了一个强大的心理落差，毕竟这是一个敏感的工作，两个完全完全不同世界的人，互相信任是多么多么的不易！之前有个小小的伏笔，Jane和Sadie一起吃冰淇淋的时候，有两个男人隔着透明玻璃墙认出了她，她还做出了香艳的舔吸动作挑逗那两个男人。对于她们的工作室，Jane对Sadie的解释是，“你可以理解为一个临时中介。”
Jane因为工作的原因（参加成人展），没时间照顾狗狗，她把狗狗托付给Sadie。不听话的狗狗走失了，Sadie急的要发疯了，她不能辜负Jane的信任，她四处打听询问，终于在Jane回来前找到了狗狗。但她的心和身体都疲惫不堪，她无法承受这一切，她宁愿回复到以前平淡无味，回到对年老的无可奈何与认输的生活，她无法承受任何失去了。她呵斥Jane离开，Jane一头雾水却无可奈何。想到Sadie曾对她说，她对巴黎有独特的情怀却从来没有去过，Jane用那笔“不义之财”的大部分预定了去巴黎的机票，冲到Sadie玩bingo的场所，极力邀请。Sadie拒绝了，如同她过去的bingo游戏经历，她一直输，她认输了，如同对待生活。但Jane没有放弃，她要和Sadie打一个赌，如果她能在这局bingo中赢的话，Sadie就要和她同去巴黎。Jane购买了所有的表格，理论来说，只要她够快，就可以bingo。没想到先bingo的却是Sadie。Sadie开心地大叫，仿佛这一次胜利驱散了过去阴霾和失败的人生。尽管Jane没有赢得赌局，Sadie却同意了去巴黎的邀请，这应该是Jane的真诚与热情，感动鼓舞了她吧。
剧情再度转折，Jane的朋友发现了这笔意外之财，她认为Jane应该与她，这个最好的朋友分享。但Jane却要和她口中的老婊子同去巴黎，愤怒的她找到Sadie，告诉她，Jane之所以对你好是因为她通过你不知道的方式得到了你的钱，对你有愧疚感。Sadie的表情并不强烈，她只是把本来和Jane一起挑选的，要去巴黎穿的衣服拿出来，丢到衣柜里，但她内心的情感变化，想必非常剧烈。就如同上次在超市门口没有等到Jane一 样，她感到自己再一次被抛弃了，这次更加彻底，痛苦。看到这里我就在猜编剧会怎么安排，Sadie是会消失？痛斥Jane？他选择了理解与原谅。
来接Sadie去机场的Jane也发现了她的不寻常，虽然Jane还不知道发生了什么，她几次询问Sadie是否ok，Sadie只是让拜托Jane去公墓给逝去的老公送花。这一次，Sadie没有亲自前往，而是借口你更快一些，委托Jane过去。这里，Jane在墓碑上发现，Sadie曾经有一个夭折的女儿，影片在此结束。
整个片子节奏平缓，但几处情感的波折都能打动人心，不同世界的两个人如何褪去坚硬的保护外壳，逐渐走进对方内心，互相理解，互相取暖。缺失母爱的Jane生活拮据但充满了梦想，她善良，热爱自己的工作，幻想着某一天能成为明星，她从Sadie处找到了家人的感觉，重新找到一个女儿的身份。在千篇一律的乏味生活中等待死亡的Sadie则在Jane这里重新建立了与其他人的联系与存在感，唤起了生活的热情与希望，点燃了久已熄灭的梦想，也像一个母亲。也许她们都想对对方说一 句，谢谢你的成全。
她（Sadie）是个独居的老妇，个性顽固，没有朋友，过着枯燥简单重复的生活。习惯性的三餐，购物，娱乐活动也只是每周六去玩简单的赌博游戏bingo。
她（Jane）是个生活拮据而又做着明星梦的女青年，有一个吸毒成瘾的妈妈。她和朋友，朋友的男友合住在一间公寓里，想要改造一下卧室却没钱买新家具，只能去淘一些旧货。在Sadie卖出的旧暖水瓶里，她发现了一万块，她不安又兴奋，瞒着朋友偷偷地把钱藏好，去做了指甲（吐槽一下美帝人工费真惊人，做个指甲460刀），给狗狗买了漂亮的配饰。她旁敲侧击的咨询她的朋友，如果遇到这种事要怎么做。朋友的看法是，确认这笔钱对失主是不是非常重要。她特意去接近Sadie，故意打发走等待Sadie的计程车，然后邀请Sadie“搭顺风车”，她跑到她周六玩bingo的地点玩只有老年人才热衷的无聊游戏。结果被Sadie当做是骗子，惨遭防狼喷雾的蹂躏。从警察那得知她只是“出于好心”后，Sadie逐渐打开了心门，接受了她接送超市的便车。通过交谈得知，Sadie的赌徒丈夫去世了，也没有儿女，暖水瓶里的钱应该是赌徒丈夫之前藏匿其中的，但老妇并不知情。通过一段时间的接触，两个人逐渐产生了信任与微妙的感情。Jane更加了解了Sadie的过去，她甚至带Sadie去公墓祭奠亡夫，去Sadie第一次和丈夫见面的动物园。而Sadie依然固执，敏感，从她注销了驾照和对其他老人驾车闯祸的描述，可以看出她对于余生并无希冀，早已认输服老。在一次Jane被超市保安因停车问题驱赶后，购物回来的Sadie没有等到Jane，以为Jane抛下了她，想要走回家里。当时她的心里，一定是充满了伤感，以为她的人生又一次的枯萎了，如同她布满皱纹的脸庞，刚刚建立的存在感被消除殆尽。Jane驱车追上了她，说道“你真的以为我会抛下你吗？”也许是她感受到了Sadie心里的变化，Jane握住了Sadie枯瘦的手，Sadie的心里，一定非常的温暖。
Jane的合租朋友因为工资问题和老板大吵，让Jane过去帮忙理论。通过这个机会，Jane的朋友认识了同车的Sadie，Jane和朋友的工作也在随后暴露大吉，原来Jane和合租朋友都是成人片的女主，这会儿有一段露骨的拍摄过程。虽然不露也能交代清楚，但直接的视觉刺激应该会让观众更加震撼，这份工作既解释了为什么Jane会有那么多空余时间，又形成了一个强大的心理落差，毕竟这是一个敏感的工作，两个完全完全不同世界的人，互相信任是多么多么的不易！之前有个小小的伏笔，Jane和Sadie一起吃冰淇淋的时候，有两个男人隔着透明玻璃墙认出了她，她还做出了香艳的舔吸动作挑逗那两个男人。对于她们的工作室，Jane对Sadie的解释是，“你可以理解为一个临时中介。”
Jane因为工作的原因（参加成人展），没时间照顾狗狗，她把狗狗托付给Sadie。不听话的狗狗走失了，Sadie急的要发疯了，她不能辜负Jane的信任，她四处打听询问，终于在Jane回来前找到了狗狗。但她的心和身体都疲惫不堪，她无法承受这一切，她宁愿回复到以前平淡无味，回到对年老的无可奈何与认输的生活，她无法承受任何失去了。她呵斥Jane离开，Jane一头雾水却无可奈何。想到Sadie曾对她说，她对巴黎有独特的情怀却从来没有去过，Jane用那笔“不义之财”的大部分预定了去巴黎的机票，冲到Sadie玩bingo的场所，极力邀请。Sadie拒绝了，如同她过去的bingo游戏经历，她一直输，她认输了，如同对待生活。但Jane没有放弃，她要和Sadie打一个赌，如果她能在这局bingo中赢的话，Sadie就要和她同去巴黎。Jane购买了所有的表格，理论来说，只要她够快，就可以bingo。没想到先bingo的却是Sadie。Sadie开心地大叫，仿佛这一次胜利驱散了过去阴霾和失败的人生。尽管Jane没有赢得赌局，Sadie却同意了去巴黎的邀请，这应该是Jane的真诚与热情，感动鼓舞了她吧。
剧情再度转折，Jane的朋友发现了这笔意外之财，她认为Jane应该与她，这个最好的朋友分享。但Jane却要和她口中的老婊子同去巴黎，愤怒的她找到Sadie，告诉她，Jane之所以对你好是因为她通过你不知道的方式得到了你的钱，对你有愧疚感。Sadie的表情并不强烈，她只是把本来和Jane一起挑选的，要去巴黎穿的衣服拿出来，丢到衣柜里，但她内心的情感变化，想必非常剧烈。就如同上次在超市门口没有等到Jane一 样，她感到自己再一次被抛弃了，这次更加彻底，痛苦。看到这里我就在猜编剧会怎么安排，Sadie是会消失？痛斥Jane？他选择了理解与原谅。
来接Sadie去机场的Jane也发现了她的不寻常，虽然Jane还不知道发生了什么，她几次询问Sadie是否ok，Sadie只是让拜托Jane去公墓给逝去的老公送花。这一次，Sadie没有亲自前往，而是借口你更快一些，委托Jane过去。这里，Jane在墓碑上发现，Sadie曾经有一个夭折的女儿，影片在此结束。
整个片子节奏平缓，但几处情感的波折都能打动人心，不同世界的两个人如何褪去坚硬的保护外壳，逐渐走进对方内心，互相理解，互相取暖。缺失母爱的Jane生活拮据但充满了梦想，她善良，热爱自己的工作，幻想着某一天能成为明星，她从Sadie处找到了家人的感觉，重新找到一个女儿的身份。在千篇一律的乏味生活中等待死亡的Sadie则在Jane这里重新建立了与其他人的联系与存在感，唤起了生活的热情与希望，点燃了久已熄灭的梦想，也像一个母亲。也许她们都想对对方说一 句，谢谢你的成全。
2 ) 人性，陌生人的关爱
在影片后面，Sadie在知晓Jane的秘密之后，亦然愿意与Jane一起前往巴黎，但要求先去一趟亡夫的墓园，这次她让Jane代替她去献花，意在让Jane发现Sadie亡夫旁边的墓碑——Sadie的女儿（1951-1969），她从来不曾向Jane提及她有一个十八岁就早逝的女儿。（影片前半段，Jane在Sadie的花园时一起喝咖啡时，曾问过Sadie最喜欢哪种花，Sadie答道“morningglory”，牵牛花，贴心的字幕也补充到，牵牛花象征朝开午谢，短寿，联想到结尾是意指自己早逝的女儿，想来这样的暗示很多，导演与编剧也是花费了一番心思。）
而Jane转过身回头向Sadie的方向望去，她亦明白了一切：老太太当初为什么那么抗拒难以靠近的原因。前面还有一幕就是当Jane寄放在Sadie家的狗走失后，Sadie寻找时那种绝望与无助，以及将小狗归还给Jane时试图将她们撵出她的世界她的生活，她经历过丧夫丧女之痛，已经无法承受任何形式的失去了，不曾拥有就不会害怕失去，不是吗？
最后的镜头给了太多让我们可以遐想的东西，她们之间已经建立了一种类似母女的感情，这种感情让Sadie原谅了Jane并重拾行李一起去巴黎，像每个父母原谅子女一样，而Jane也得到了无法从母亲那里得到的东西。
末了，影片作者希望每个人都要有人性，都能在这种社会背景下仍然保持着一颗善心。
而Jane转过身回头向Sadie的方向望去，她亦明白了一切：老太太当初为什么那么抗拒难以靠近的原因。前面还有一幕就是当Jane寄放在Sadie家的狗走失后，Sadie寻找时那种绝望与无助，以及将小狗归还给Jane时试图将她们撵出她的世界她的生活，她经历过丧夫丧女之痛，已经无法承受任何形式的失去了，不曾拥有就不会害怕失去，不是吗？
最后的镜头给了太多让我们可以遐想的东西，她们之间已经建立了一种类似母女的感情，这种感情让Sadie原谅了Jane并重拾行李一起去巴黎，像每个父母原谅子女一样，而Jane也得到了无法从母亲那里得到的东西。
末了，影片作者希望每个人都要有人性，都能在这种社会背景下仍然保持着一颗善心。
3 ) 最后的结局。
Sadie在知晓Jane的秘密之后，亦然愿意与Jane一起前往巴黎，但是要求先去一趟亡夫的墓园，这次她让Jane代替她去献花，意在让Jane发现S亡夫旁边的墓碑——Sadie的女儿（1951-1969），她从来不曾向Jane提及她有一个十八岁就早逝的女儿。而Jane回过头向Sadie的方向望去，她亦明白了一切，老太太当初为什么那么抗拒难以靠近的原因。还有一幕就是当Jane寄放在Sadie家的狗走失后Sadie寻找时那种绝望与无助，以及将小狗归还给Jane时试图将她们撵出她的世界她的生活，她经历过丧夫丧女之痛，已经无法承受任何形式的失去了，不曾拥有就不会害怕失去，不是吗。最后的镜头给了太多让我们可以遐想的东西，她们之间已经建立了一种类似母女的感情，这种感情让Sadie原谅了Jane并重拾行李一起去巴黎，像每个父母原谅子女一样，而Jane也得到了无法从母亲那里得到的东西。
看不懂结局，就搜索了一下。
看不懂结局，就搜索了一下。
4 ) 温情遍地 morning glory--牵牛花
Jane有一只叫Starlet的吉娃娃狗，是从事色情行业的人，和Melissa、她的男朋友住在一起，房租一个人承担，还经常借钱给Melissa，一起吸毒。
一次偶然，Jane 发现了买的热水瓶里有1万块钱，经过一阵挥霍后，她打算把钱换回去，但遭到Sadie的拒绝。经过一系列努力，她终于和Sadie成为了朋友。
Jane是一个善良的人，她从救助站收养了小狗，帮室友交房租，替Melissa向老板求情。她对于意外之财，一开始的心态和绝大多数人的一样---占为己有。但是挥霍之后，她受到良心的谴责，只好帮助孤寡老人Sadie。就在她觉得就要弥补错误后，她的狗急跳墙的朋友向老人告密了。老人经过挣扎后，决定含蓄地告诉Jane她已经知道钱丢的事。想必他们会有一个愉快的假期。
Sadie在丈夫去世后，独自生活了40年。他丈夫在世是是职业赌徒，而且是一个good one,赢了很多钱，但是Sadie从来没去过巴黎。她的花园有很多花，但是有一种荒草丛生的感觉，就像年老的Sadie一样，活一天过一天，她已经没有太多精力去整理花园了。
吉娃娃走失后，Sadie满大街步履蹒跚地哭着找它，是因为她害怕再次失去亲人。她披头散发抱着小狗坐在门口，冲着 Jane重复喊道：“I just can not handle this anymore！”
Jane 终于熬不住，买了去巴黎的机票，想圆了老人的梦想，一切顺利进行，可是她的坑爹的室友因为没把钱花在她身上，告密了。
结尾意味深长：1.独居40年；2.18岁的女儿先与丈夫去世；3、我把你当作我的女儿，你犯的错我可以原谅；4、谢谢你.
最后说一下那个二逼室友Melissa,不服从老板安排，私自接活，吸毒过量，男朋友把她当作赚钱的工具，在发现Jane的钱后，暗示她要把钱花在她身上。在发现Jane买机票要陪老人去巴黎后，她的好吃懒做的德性暴露无遗。她毫无顾忌以前Jane的帮助，向老人揭穿了她。
人生在世，谁没遇到过几个人渣室友！！！
一次偶然，Jane 发现了买的热水瓶里有1万块钱，经过一阵挥霍后，她打算把钱换回去，但遭到Sadie的拒绝。经过一系列努力，她终于和Sadie成为了朋友。
Jane是一个善良的人，她从救助站收养了小狗，帮室友交房租，替Melissa向老板求情。她对于意外之财，一开始的心态和绝大多数人的一样---占为己有。但是挥霍之后，她受到良心的谴责，只好帮助孤寡老人Sadie。就在她觉得就要弥补错误后，她的狗急跳墙的朋友向老人告密了。老人经过挣扎后，决定含蓄地告诉Jane她已经知道钱丢的事。想必他们会有一个愉快的假期。
Sadie在丈夫去世后，独自生活了40年。他丈夫在世是是职业赌徒，而且是一个good one,赢了很多钱，但是Sadie从来没去过巴黎。她的花园有很多花，但是有一种荒草丛生的感觉，就像年老的Sadie一样，活一天过一天，她已经没有太多精力去整理花园了。
吉娃娃走失后，Sadie满大街步履蹒跚地哭着找它，是因为她害怕再次失去亲人。她披头散发抱着小狗坐在门口，冲着 Jane重复喊道：“I just can not handle this anymore！”
Jane 终于熬不住，买了去巴黎的机票，想圆了老人的梦想，一切顺利进行，可是她的坑爹的室友因为没把钱花在她身上，告密了。
结尾意味深长：1.独居40年；2.18岁的女儿先与丈夫去世；3、我把你当作我的女儿，你犯的错我可以原谅；4、谢谢你.
最后说一下那个二逼室友Melissa,不服从老板安排，私自接活，吸毒过量，男朋友把她当作赚钱的工具，在发现Jane的钱后，暗示她要把钱花在她身上。在发现Jane买机票要陪老人去巴黎后，她的好吃懒做的德性暴露无遗。她毫无顾忌以前Jane的帮助，向老人揭穿了她。
人生在世，谁没遇到过几个人渣室友！！！
5 ) 我一直相信的是，心脏是温暖的。
早上起来，睁开双眼，阳光暖暖，微风吹动窗帘，珍在指尖点起一支烟，烟雾袅袅。
《待绽蔷薇》，又名《明日女优》。淡黄色的画面，满是温情的味道，不知道你看到这部电影时是怎样一种感觉，我只是觉得很安静，就像清风抚平了心里的躁动，安安静静的抱着电脑坐在床上，没有喧闹没有烦闷。
珍是一个从事情色电影行业的年轻女孩子，不成名不富有，但也是不沉沦不放弃。她对生活是有想法的，比如改造租住的房子，让其更贴近自己的风格。我喜欢这样热爱生活的人。这样的女孩子很有感觉，就算此时的她默默无闻，但是我相信她一定会有光芒万丈的未来。
故事的起始就是改造房间时购得的一个旧暖水瓶，珍说这会是一个很好的花瓶，其实这是一个很好的储钱罐吧！里面装了一万美金。
天上掉馅饼，你怎么办？
走路捡到钱，你会还吗？
别说的大义凛然，也不要鄙视其他人拾金不昧，那都是个人品质，与己无关。
珍花了一部分，却发现自己并不能心安理得的享用这笔不义之财，于是她接近sadie，旧水瓶的旧主人。
对于突然出现在身边的人，我们会戒备。这个老太太一直独居，这个女孩看起来居心不良。两个人的相处充满试探，然后慢慢靠近，彼此接受。
我喜欢这个故事。
因为这个故事是温暖的。
人与人之间是可以有信任和真心的。
就算年龄是不可跨越的鸿沟，陌生的两代人也可以做彼此生命中的知己。一起玩bingo,一起逛超市，一起去巴黎。
在草木繁茂的花园里，阳光明媚，岁月静好。
我们常常看见的忘年交都是在别人的故事里，你羡慕过吗？
以利相交，利尽则散；以势相交，势去则倾；以权相交，权失则弃；唯以心相交，方能成其久远。
这个世界上有太多凉薄了，而我一直相信的是，心脏是温暖的。孤独的人们都不愿意让人发现自己的处境，封闭自己，独处孤寒。
珍惜岁月里路过我们的温暖，毕竟生命苦短。
《待绽蔷薇》，又名《明日女优》。淡黄色的画面，满是温情的味道，不知道你看到这部电影时是怎样一种感觉，我只是觉得很安静，就像清风抚平了心里的躁动，安安静静的抱着电脑坐在床上，没有喧闹没有烦闷。
珍是一个从事情色电影行业的年轻女孩子，不成名不富有，但也是不沉沦不放弃。她对生活是有想法的，比如改造租住的房子，让其更贴近自己的风格。我喜欢这样热爱生活的人。这样的女孩子很有感觉，就算此时的她默默无闻，但是我相信她一定会有光芒万丈的未来。
故事的起始就是改造房间时购得的一个旧暖水瓶，珍说这会是一个很好的花瓶，其实这是一个很好的储钱罐吧！里面装了一万美金。
天上掉馅饼，你怎么办？
走路捡到钱，你会还吗？
别说的大义凛然，也不要鄙视其他人拾金不昧，那都是个人品质，与己无关。
珍花了一部分，却发现自己并不能心安理得的享用这笔不义之财，于是她接近sadie，旧水瓶的旧主人。
对于突然出现在身边的人，我们会戒备。这个老太太一直独居，这个女孩看起来居心不良。两个人的相处充满试探，然后慢慢靠近，彼此接受。
我喜欢这个故事。
因为这个故事是温暖的。
人与人之间是可以有信任和真心的。
就算年龄是不可跨越的鸿沟，陌生的两代人也可以做彼此生命中的知己。一起玩bingo,一起逛超市，一起去巴黎。
在草木繁茂的花园里，阳光明媚，岁月静好。
我们常常看见的忘年交都是在别人的故事里，你羡慕过吗？
以利相交，利尽则散；以势相交，势去则倾；以权相交，权失则弃；唯以心相交，方能成其久远。
这个世界上有太多凉薄了，而我一直相信的是，心脏是温暖的。孤独的人们都不愿意让人发现自己的处境，封闭自己，独处孤寒。
珍惜岁月里路过我们的温暖，毕竟生命苦短。
6 ) 转载女主角Dree Hemingway关于电影的访谈
很喜欢这部片子和Dree 转载访谈，帮助理解片子台前幕后，没看错av场面果然是替身然后剪得真不错。好有趣的制作过程耶，原来去参加色情业展会是真的，使用隐藏拍摄，很多人以为女主就是pornstar然后各种~~ 哈哈，不过no judgement也是棒棒哒。dree也聊到很多关于自己家族的事情，喜欢她的低调单纯，而且做出了一部好片子，这是我看她的第一部，很偶然找到的。翻译就不做了，我觉得最直接的理解是看原文，给几个关键词，有兴趣的自己理解。
body double 替身；improvisational 即兴的；scatterbrained
注意力不集中
The young actress talks to THR about her burgeoning acting career as well as how she copes with bearing the last name of one of the world's most famed writers.
正文
As much as she'd probably like to avoid it, the first line in Dree Hemingway's biography probably would note that she is the great-granddaughter of famed writer Ernest Hemingway and the daughter of actress Mariel Hemingway. But with a few more movies like Starlet, her first leading feature role, that just might change.
Hemingway, 25, plays Jane, a flighty, listless woman in her early 20s living in Los Angeles with her friend and the friend's boyfriend. She flits about through her days, smoking weed and shopping and taking her Chihuahua wherever she goes. She might seem like a low-rent Paris Hilton, but she has more depth than it appears at first glance.
Film Review: Starlet
When she buys a thermos for a dollar at a yard sale from an old woman, she finds $10,000 rolled up inside. After trying to return the thermos to the cantankerous octogenarian, who refuses, she decides to at least befriend the lonely widow, Sadie. This is easier said than done, though the two eventually form an odd relationship. It is one built partially on lies; Jane doesn't tell Sadie about the money, or the fact that she works as a porn actress -- something kept from the audience through much of the movie, as well.
THR recently spoke to Hemingway about the film and her famous bloodlines.
The Hollywood Reporter: What happened in your interview with director Sean Baker?
Dree Hemingway: I’m so passionate about this character, but a lot of it was how I perceived her and who I thought she was and to clarify if I’d do the porn scene. And really wanting to assure me that they’d use a body double and just wanting to make sure I’d be comfortable with the whole situation. And everything he was saying about the character was something I had thought of, and there were things that I wanted to bring, and it was really nice. And what really hooked it was the communication between us.
THR: So you weren’t uncomfortable with the porn thing?
Hemingway: I mean, it freaked me out, I’m not going to lie. I think I was so passionate about the whole story that it’s kind of something that it needed. It freaked me out, but also knowing that it wasn’t me was kind of OK for me -- although I’m not in denial that people are going to think it’s me because a lot of people don’t watch the end credits, and it’s really well cut. But as much as it scares me, and is such a scary thing to do, it’s such a neat film that I think that one ending scene is kind of the most perfect ending for any movie, and I just love it. … I’m not a huge fan of porn, but I really wanted to embrace the world from a different perspective, where it’s not a tragedy, it’s not coming from a tragic place.
VIDEO: Starlet Trailer
THR: How much of the film was improv?
Hemingway: Most of it was improvisational, to be honest. It was like, we were given some lines, and you always had to know where you were going to end up in the scene, but a lot of it was improvisational. A lot of it was scary in a way that you can’t really craft. But it’s actually one of the most fun things I’ve ever done. You really have to be present in the situation that you’re in because a lot of time you were working with real people, who didn’t know until they were done working with us that they were on film and working with actors.
THR: Which points were that?
Hemingway: The whole entire porn convention. We had a hidden camera. I had a hidden mic. People thought I was a real porn star at a real booth. All those people talking to me.
THR: So they were just big porn enthusiasts.
Hemingway: They all kept coming up to me and saying: “I really love your movies. I want to work with you.” And I was like, 'Let’s go!' It’s so weird and crazy. And all those people playing bingo, we just stood in the bingo hall.
THR: Was anyone upset about being caught on camera?
Hemingway: A lot of people at the porn convention were really upset that they were on camera. Some of them were like parents, and some of these guys were like, “I’m a schoolteacher.” And you’re like, OK. … But the thing is, there is no judgment on them because they are just the ones that have the balls to get their asses off the computer and go to an actual porn convention. Which I have to say is kind of hilarious and really fun.
THR: Really?
Hemingway: Yeah. It’s an adult amusement park.
THR: It’s like a Comic-Con but for porn.
Hemingway: Exactly! It’s just like Comic-Con. You get some whacked, crazy people, but it’s so much fun. I think if you come to it from a point of not taking it seriously -- a lot of these people go, and they’re there to see one porn star whom they’re obsessed with -- but if that’s not your basis, it is a fun time. It’s hilarious.
THR: What would you do if you found that money, in that situation?
Hemingway: Oh, I’m such a guilty person, I’d totally give it back.
THR: No hesitation?
Hemingway: I mean obviously, I think that part of me would want to keep it in a way because it’d be like, oh I found it, and it’s -- what is that saying? Finder's keepers? But no, even if I’d try to do that, I’m too guilty. I remember when I was 14, I stole a little bracelet from a vendor, like an outside cart vendor, it was me being rebellious, and I had a lot of friends who loved to steal ChapSticks and little things, and so it was me trying to include myself in the situation. So I stole this bracelet. And I had it for a full day, but I couldn’t wear it because I felt so guilty. So when I wasn’t with my friends, I went and brought it back.
THR: So you are Ernest Hemingway’s great-granddaughter? Did you ever feel pressure to be a writer?
Hemingway: I would never write, ever. I might as well exile myself.
THR: Why?
Hemingway: Because it’s like, if I were related to Monet, I don’t know if I would be comfortable becoming an artist because it’s too much, the comparison. If I wrote a book and put it out, the comparison to my great-grandfather, the comparison would be hilarious. Every critic, it would be their dream, they’d tear me apart. I’m just not a confident writer, either. I feel like I can’t make sense of things in a way. I’m so scatterbrained when I write.
THR: Do people ask you to?
Hemingway: People ask me all the time. And my mother is an actress, and my aunt Margaux was a model. And it’s funny, as much as I’m all about I’m my own person, and I’m making my own name for myself, I have grown up in a world where most of these people who are like me are children of famous parents. So it’s easy to become the socialite and be famous for that. But my whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door. But once you’re in there, I know I’m under a huge microscope, and everything you do, people are going through it with a fine-toothed comb and picking at you.
So it’s great, it gets you in there, but once you do, you’ve got to f---ing prove yourself. The modeling, I think it’s different because they don’t give a f---, it’s harder to get in there with a name already, and I think I had to prove myself, and it didn’t matter who I was. But I don’t feel like I’m competing against anything in my family; I’m so honored to be a part of it, but I also know I am my own self, and I’m not riding anyone’s coattails because I know I really worked for something.
body double 替身；improvisational 即兴的；scatterbrained
注意力不集中
The young actress talks to THR about her burgeoning acting career as well as how she copes with bearing the last name of one of the world's most famed writers.
正文
As much as she'd probably like to avoid it, the first line in Dree Hemingway's biography probably would note that she is the great-granddaughter of famed writer Ernest Hemingway and the daughter of actress Mariel Hemingway. But with a few more movies like Starlet, her first leading feature role, that just might change.
Hemingway, 25, plays Jane, a flighty, listless woman in her early 20s living in Los Angeles with her friend and the friend's boyfriend. She flits about through her days, smoking weed and shopping and taking her Chihuahua wherever she goes. She might seem like a low-rent Paris Hilton, but she has more depth than it appears at first glance.
Film Review: Starlet
When she buys a thermos for a dollar at a yard sale from an old woman, she finds $10,000 rolled up inside. After trying to return the thermos to the cantankerous octogenarian, who refuses, she decides to at least befriend the lonely widow, Sadie. This is easier said than done, though the two eventually form an odd relationship. It is one built partially on lies; Jane doesn't tell Sadie about the money, or the fact that she works as a porn actress -- something kept from the audience through much of the movie, as well.
THR recently spoke to Hemingway about the film and her famous bloodlines.
The Hollywood Reporter: What happened in your interview with director Sean Baker?
Dree Hemingway: I’m so passionate about this character, but a lot of it was how I perceived her and who I thought she was and to clarify if I’d do the porn scene. And really wanting to assure me that they’d use a body double and just wanting to make sure I’d be comfortable with the whole situation. And everything he was saying about the character was something I had thought of, and there were things that I wanted to bring, and it was really nice. And what really hooked it was the communication between us.
THR: So you weren’t uncomfortable with the porn thing?
Hemingway: I mean, it freaked me out, I’m not going to lie. I think I was so passionate about the whole story that it’s kind of something that it needed. It freaked me out, but also knowing that it wasn’t me was kind of OK for me -- although I’m not in denial that people are going to think it’s me because a lot of people don’t watch the end credits, and it’s really well cut. But as much as it scares me, and is such a scary thing to do, it’s such a neat film that I think that one ending scene is kind of the most perfect ending for any movie, and I just love it. … I’m not a huge fan of porn, but I really wanted to embrace the world from a different perspective, where it’s not a tragedy, it’s not coming from a tragic place.
VIDEO: Starlet Trailer
THR: How much of the film was improv?
Hemingway: Most of it was improvisational, to be honest. It was like, we were given some lines, and you always had to know where you were going to end up in the scene, but a lot of it was improvisational. A lot of it was scary in a way that you can’t really craft. But it’s actually one of the most fun things I’ve ever done. You really have to be present in the situation that you’re in because a lot of time you were working with real people, who didn’t know until they were done working with us that they were on film and working with actors.
THR: Which points were that?
Hemingway: The whole entire porn convention. We had a hidden camera. I had a hidden mic. People thought I was a real porn star at a real booth. All those people talking to me.
THR: So they were just big porn enthusiasts.
Hemingway: They all kept coming up to me and saying: “I really love your movies. I want to work with you.” And I was like, 'Let’s go!' It’s so weird and crazy. And all those people playing bingo, we just stood in the bingo hall.
THR: Was anyone upset about being caught on camera?
Hemingway: A lot of people at the porn convention were really upset that they were on camera. Some of them were like parents, and some of these guys were like, “I’m a schoolteacher.” And you’re like, OK. … But the thing is, there is no judgment on them because they are just the ones that have the balls to get their asses off the computer and go to an actual porn convention. Which I have to say is kind of hilarious and really fun.
THR: Really?
Hemingway: Yeah. It’s an adult amusement park.
THR: It’s like a Comic-Con but for porn.
Hemingway: Exactly! It’s just like Comic-Con. You get some whacked, crazy people, but it’s so much fun. I think if you come to it from a point of not taking it seriously -- a lot of these people go, and they’re there to see one porn star whom they’re obsessed with -- but if that’s not your basis, it is a fun time. It’s hilarious.
THR: What would you do if you found that money, in that situation?
Hemingway: Oh, I’m such a guilty person, I’d totally give it back.
THR: No hesitation?
Hemingway: I mean obviously, I think that part of me would want to keep it in a way because it’d be like, oh I found it, and it’s -- what is that saying? Finder's keepers? But no, even if I’d try to do that, I’m too guilty. I remember when I was 14, I stole a little bracelet from a vendor, like an outside cart vendor, it was me being rebellious, and I had a lot of friends who loved to steal ChapSticks and little things, and so it was me trying to include myself in the situation. So I stole this bracelet. And I had it for a full day, but I couldn’t wear it because I felt so guilty. So when I wasn’t with my friends, I went and brought it back.
THR: So you are Ernest Hemingway’s great-granddaughter? Did you ever feel pressure to be a writer?
Hemingway: I would never write, ever. I might as well exile myself.
THR: Why?
Hemingway: Because it’s like, if I were related to Monet, I don’t know if I would be comfortable becoming an artist because it’s too much, the comparison. If I wrote a book and put it out, the comparison to my great-grandfather, the comparison would be hilarious. Every critic, it would be their dream, they’d tear me apart. I’m just not a confident writer, either. I feel like I can’t make sense of things in a way. I’m so scatterbrained when I write.
THR: Do people ask you to?
Hemingway: People ask me all the time. And my mother is an actress, and my aunt Margaux was a model. And it’s funny, as much as I’m all about I’m my own person, and I’m making my own name for myself, I have grown up in a world where most of these people who are like me are children of famous parents. So it’s easy to become the socialite and be famous for that. But my whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door. But once you’re in there, I know I’m under a huge microscope, and everything you do, people are going through it with a fine-toothed comb and picking at you.
So it’s great, it gets you in there, but once you do, you’ve got to f---ing prove yourself. The modeling, I think it’s different because they don’t give a f---, it’s harder to get in there with a name already, and I think I had to prove myself, and it didn’t matter who I was. But I don’t feel like I’m competing against anything in my family; I’m so honored to be a part of it, but I also know I am my own self, and I’m not riding anyone’s coattails because I know I really worked for something.
7 ) 一个女优一个寡妇
一个女优一个寡妇 我缺少母爱，我母爱泛滥，这部片子在描写两个孤独的种群，他们寂寞，想要爱，女优的生活不像我所想象的，应该是比较真实的情形，我非常赞同导演每次为电影选主角背景的时候都会关心一下我们正常人从未接触过的边缘神秘人士，中间有一段拍摄黄色电影的片段，我觉得如果我的电影能借鉴一下这种透过真实屏幕所呈现的画面时是非常精彩的，寡妇的日子不好过，中间有一段她找狗的片段，我觉得那一段可以非常准确的突出寡妇当时的心境，对女优也好，对她所认同的世界也好，那是一颗敏感脆弱的心，和圣殇里假扮的母亲不一样，她们虽然都是怀有一颗急于坦诚却时时刻刻去隐藏真相的心，整部片子说实话作为短片的话会非常不错，但是90分钟还是有些漫长，本片最好的镜头除了寡妇在街上找狗，两个人坐在广场（旁边有好多高大的电线杆），在那个废弃的公园，那是记忆的深处，忘记在脑海 我来付钱吧，我的钱花不完，记得给你说过我JACK是一个赌徒吗，他赌的不赖。我愿世界和平
简在展台后面绽放着微笑、在床上表演着高潮，放纵春光却从不觉得自己被需要。唯有跟老太晒着太阳，听她聊起年轻时的那场动物园求婚，简才真正像个少女一样怀春，愿有人待她如此。从超市接她回家、陪她玩宾果、带她去巴黎，只有与她相伴才真切感受自己被需要。青花暖瓶里藏着一根引信，绽放了她的生活。
她死了？我怎么没有看出来？
爱丽·帕克再现，基调暖了很多，可惜女主演技没有Naomi那样出神入化。
其实是个对老套路做了细致修正改良之后的结果，中后段钝感明显，整体可看度还是挺高的。边缘人+限制级噱头，似乎是肖恩贝克标配啊。
敢拿钱敢拍片敢真操，洗
暖瓶温水，至清至澈。先看<橘色>，待绽<蔷薇>，一切刚刚之好。肖恩贝克不光有两把刷子，还有两个一样的瓶子。一个盛水，一个装酒。一个复古精致，一个小巧玲珑。一个暖阳春光，一个花枝招展。一个是平平静静的和和气气，一个是吵吵闹闹的和和美美。这才是生活。克制的胜利。
矫情又做作，豆瓣小清新的脑残评分
暖黄色的色调，很明朗，温暖，很符合小清新的感觉。演员们全程演技在线，老奶奶和德丽的情感其实也温暖了他们两个自己吧。很适合一个人午后静静地看。
很好的故事. 画面美. 素颜女主美绝了!特别是她无限长美腿啊啊啊!
年度最佳温情+意外结局啊 PS女主竟然是海明威孙女
我们带着创伤生活，就像蔷薇的刺。我们可以预防失去，却学不会对爱免疫。
淡黃的色調也很好看。整個故事線沒有那麼集中，但最後的抒情比他其他的作品都要用力。
肖恩贝克早期作品，初心未变，后期的电影都是源于这里的根源。依旧喜欢肖恩贝克对边缘人的关注和情感处理，他有自己的一套人际关系和情感的处理方式，很吵很流行但也最能触及人心。女主是海明威孙女还蛮惊讶的。
Starlet 是Sean Baker自家的吉娃娃。老太太也是从小就想做演员，70多年后终于如愿以偿，饰演一个老太太，懵懂或睿智，一切似乎都刚刚好。绝美的结尾。
⒈《橘色》后再接再厉观看《待绽蔷薇》，发现肖恩·贝克作品的配乐再次挺对我的耳口，虽然这部里面反复使用同一段配乐；⒉妈妈咪呀，女主竟然是海明威的亲曾孙女；⒊不用借位而是真操实干的AV戏份，真是让我吃了一惊；⒋亲爱的眼睛，对不起，在你犯困想休息的时候，还让你坚持看完电影，辛苦你了！……
意外的很好看啊 虽然镜头色调太像mv什么的吧 但是故事表演都超级舒服啊 女主是海明威的曾孙女你们都知道了 老太太拍完这片就死了你们也知道了 但是你们知道那个和她拍毛片的就是我昔日偶像Manuel Ferrara大神嘛！以为james deen和lilo拍文艺片就够高端了 manuel哥哥比他更厉害啊 果然法国人就是品味好
海明威还有这么漂亮的曾外孙女啊？！
真的是好干净的一部片子，女孩与老人的交心过程，两人心照不宣地知道了一些对方的秘密。海明威孙女的腿好正，Besedka 演得很出色。女优这个设定可能就是为了与 Jane 在日常生活中的单纯善良形成落差，不过 AV 床戏部分真是太大尺度了，简直一览无余。
一万刀能换到的，我想象不到更多了
视角还挺有想法的